Free mixing template for Logic Pro and how to use it - FREE Plugin - ComBear
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The plugin will create an EQ curve that visually demonstrates the differences in frequency spectrum between your mix, and your reference. Now go ahead and do the same for the other 2 references, using the other 2 instances of Match EQ.
For example, it appears our mix has quite a few challenges in the low end. Compared to the references, we have a lot of energy around 80Hz, and not a lot in the Hz range.
Our mix also appears to be lacking a lot of high end, dropping off significantly around 12kHz. The golden rule, as with mixing, is to use your ears, not your eyes. You should compare any trends noted from Match EQ to the notes you took when listening and comparing.
This is simply an example, and is actually using an unfinished mix to demonstrate how you can use Match EQ to level up your music production. One of the principles in mastering is measuring. That is, using tools to measure things such as:. The Analyzer section in MultiMeter is a real time frequency analyzer, which shows you changes in frequency as they happen.
There is no set goal for what this should look like across a mix; think about the different frequency settings on your car radio, iPod or in Spotify.
For example in our mix, Hz is coming through really strong. We might use an EQ to cut a little in this area. Loudness is a contentious topic in mastering, as it has been the subject of abuse for many years now. Remember how the human ear identifies louder sounds as subjectively better? Well, mastering engineers or more accurately the record labels that hired them learned how to use this to their advantage by using a limiter to make finished tracks louder and louder.
This resulted in something called the Loudness War, which ended up sacrificing the beauty in music and its dynamic range in favour of overly compressed or squashed tracks that appeared louder.
Loudness is still an issue in contemporary music, though it has been stamped down by new limitations enforced by streaming and broadcast companies.
All the way, seeking to retain the nuance and dynamic range that makes music music. Tricky, huh? We are going to do some more comparison to our reference tracks here; load the MultiMeter onto the Stereo Output, and listen to the loudest section of your reference tracks one by one.
Note down the value it will change over time so find an average value or note down a range e. Do this for all 3 reference tracks and compare the values, this will give you an indication as to how much squash or compression is acceptable for the genre you are working in, and what the loudness level of your master should look like. For example, heavy rock tracks will typically feature a lot more compression and therefore be a lot louder , than say, a 20 minute free form jazz odyssey,.
Phase shift is a natural by-product of EQ and is something you can get away with on individual tracks, but it can cause problems for the master.
Not only does the Linear EQ look great in black, it has a higher resolution than the standard EQ, giving you the ability to make finer adjustments — important in mastering. Really helpful for sparking inspiration or adding variety to your music!
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